Celebrate
For those who make the journey to the upland forests of Koke’e to attend or participate in the Eo e Emalani i Alaka’i festival, the experience remains engraved in memory.
Following the winding road from Waimea, the air becomes crisp. Further still, past Pu’ukapele, the road narrows and climbs the last few miles to Kanaloahuluhulu Meadow, a spacious swath of green surrounded by towering redwoods and native forest. “There are places in
“Koke’e is such a place. This is why it feels so real,” he said.
By 10 am on festival day, spectators in Kanaloahuluhulu Meadow await the arrival on horseback of Queen Emalani, portrayed in 2009 by Myranda Wailana Kuapahi. Hula halau (hula groups) from O’ahi, Maui,
"There is such a magic in the annual commemorative gathering at Koke’e,” Nogelmeier said. “It gives a physical presence to history. When I brought some of my students to participate in 2000, we were honored to offer a chant. The queen was sitting there, she was so beautiful and dignified. Her face was rapt as she listened to us. Afterward, many people told us that we were chanting across the eras in a way.”
Each year, hundreds of people gather at Koke'e to honor Queen Emma Naea Rooke, a determined and sometimes “stubborn” queen who trekked in 1871 by horseback and foot over the rough trails and muddy byways of forest and swamp to fulfill a promise made to her late husband King Kamehameha IV, “this festival, this re-creation should stand as a model for other events celebrating the lives of Hawaiian historical figures,” Nogelmeier said. “At Koke’e, Emma’s life is embodied there within that wahi pana. The possibility is there. The land and the people present at the event create the rest of the story.”
It is as if all in attendance are part of a real and rare moment in time celebrating a life triumphant and filled with value. More than pageant, observance, festival or celebration, it is what this Hawaiian scholar calls “a portal to the past.”
“The enactment of the role of the queen, the physicality of putting everything into place brings up an intuitive side of history – history becomes real,” he said. “We had all been studying the ‘Emalani chants – all that poetry for her – and there we were at Koke’e, with the physical presence that connected all the random data and information we had been collecting. We were in that living vignette, making history more experiential rather than factual.”
Hundreds of chants were written for Queen Emma.
“The people knew she loved them and she was greatly beloved in return,” Nogelmeier said. “On the personal level – she lost her much-loved son and husband. She had lost her role as queen – everything was taken away – she could have immersed herself in death and mourning yet she chose to go on with such courage and purpose.”
At noon, after a morning of music, demonstrations and exhibits, the Queen enters the Meadow. The afternoon is filled with gifts of hula from many troupes who journey to Koke’e to honor her stalwart spirit.
“The Emalani Festival has such a strong foundation in Hui o Laka and all those who plan and support it each year,” Nogelmeier said. “They create this unique setting where the halau and all those present can bring their offerings of appreciation, so they too may travel across the eras.”
By Fay Hovey
From The